The cyborg is a dualism, as opposed to a dichotomy there is value perceived in the confusion of the borders of bounded categories. Haraway’s cyborgs are a blending of imagination and material reality. Haraway’s use of the cyborg illustrates her conceptualizations of socialism and feminism in the examinations of dichotomies such as nature/culture, mind/body, and idealism/materialism. She introduces the potential of a completely new ontology of hybridization of nature and culture through the cyborg, a combination of machine and organism. Haraway’s piece is a novel approach to examining the culture-nature divide.
Evolution, she claims, has blurred the lines between human and animal 20th-century machines have blurred the lines between natural and artificial and microelectronics and the political invisibility of cyborgs have blurred the lines of physicality.
Haraway begins the "Manifesto" by explaining three boundary breakdowns since the 20th century that have allowed for her hybrid, cyborg myth: those between human and animal, animal-human and machine, and physical and non-physical.
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